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GARAGE INC
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Download The GARAGE INC Set 1 and The GARAGE INC Set 2

GARAGE INC DISK 1

NEW RECORDINGS '98

FREE SPEECH FOR THE DUMB - by Discharge
Count in is 1, 2, 1 2 3 4. Start soloing after 10th riff. Solo around for the lenght of 20 riffs. Play rhythm for 2 riffs. Verse 1 takes 8 riffs. Again, solo around for the lenght of 12 riffs and play rhythm for 2 riffs. Verse 2 takes 8 riffs. Play riff once more and let the last note ring to finish the song.

IT'S ELECTRIC - by Diamond Head
Count in is 1, 2, 1 2 3 4. You play the more involved riffs and fills, and the leads.

SABBRA CADABRA - by Black Sabbath
Count in is 1, 2, 1 2 3 4, pick-up note between 3rd and 4th beat. Play everything that includes wah-wah and higher notes to double guitar solos.

TURN THE PAGE - by Bob Seger
JAMES: Four beat count in. Play what you hear in "Turn The Page (Kirk").

TURN THE PAGE - by Bob Seger
KIRK: Four beat count in. Play what you hear in "Turn The Page (James)". Bottleneck/Slide required!

DIE DIE MY DARLING - by The Misfits
Eight beat count in. For the most part, double what you hear.

LOVERMAN - by Nick Cave And The Bad Seeds
Count in is 1, 2, 1 2 3 4. Play chords during verse and chorus, except on 3rd verse. During the spelling of "loverman", play ad.lib. with clean tone.

MERCYFUL FATE - Compiled by Metallica, tunes originally recorded by Mercyful Fate
SATAN'S FALL: Count in is 1, 2, 1 2 3. You can double the riff, as long as you play all the leads.
CURSE OF THE PHARAOHS: Four beat count in with a pick-up note. Play lower notes of the double guitar. Play all the leads in this part.
A CORPSE WITHOUT SOUL: Play the lower notes in the outro part, and get ready for the cue note of the next song.
INTO THE COVEN: Four beat count in. Play all the leads in this part, otherwise double what you hear.
EVIL: Play all the leads, otherwise double what you hear.
SATAN'S FALL: Double what you hear after you're finished with the end note of the solo in the previous song.

ASTRONOMY - by Blue Oyster Cult
No count in, as the song starts with high-hats. Play the clean riff when its turn comes. Play first notes of the first guitar duel and the higher notes of the double-guitar. Outro doesn't fade away. Listen to it and you'll figure it out.

WHISKEY IN THE JAR - Traditional, based on a release by Thin Lizzy
Eight beat count in with 2 cords as pick-up note. Play all the leads and higher parts in the double guitar riffs. Strum clean on the silence.

TUESDAY'S GONE - by Lynyrd Skynyrd
Six beat count-in. This song is more or less from a jamming session, so I don't know if this track will ever include any of the guitars. So, for now this is the first version of the track. For instruments it only has drums, bass and harmonica.

THE MORE I SEE by Discharge
There are two hihat beats before the drum fill that starts the song. At the end of the fourth time of the bass riff, you play the cacophony that's present in the original. Play everything lead-ish.


GARAGE INC DISK 2

GARAGE DAYS RE-REVISITED '87

HELPLESS - by Diamond Head
Count in is 1, 2, 1 2 3 4, song begins with drums. Play higher notes of the double guitar part and all the leads. The outro of the song is like the move right before the solo in the middle of the song. No fading away.

THE SMALL HOURS - by Holocaust
Four-beat count-in. The clean riffs come from the track, and you play the random pick-scrapes and everything in distortion and the solo. The two versions of this song are identical aside from the tuning.

THE SMALL HOURS (Live) - by Holocaust
The live version has the extra round of riff removed from the 1st chorus and the solo is shorter by two rounds of the riff. The two versions of this song are identical aside from the tuning.

THE WAIT - by Killing Joke
Count in is 1, 2, 1 2 3 4. Play each new riff - meaning, from the intro you jump to the main riff while the track finishes the intro. You play all the leads.

CRASH COURSE IN BRAIN SURGERY - by Budgie
Four-beat count-in for the bass intro. Double everything you hear and play the lead. NOTE: The two files are identical, only in different tunings.

LAST CARESS / GREEN HELL - by The Misfits
LAST CARESS: Eight beat count in. Double what you hear. In the end of the song, wait 6 beats before striking the last two chords.
GREEN HELL: This part starts without warning. Don't play the strange sqeak in the middle. Play down-downpicking only.

GARAGE DAYS REVISITED '84

AM I EVIL? - by Diamond Head
Four beat count in. Play leads in the beginning. When the break comes, there is a Two beat count in right before the arpeggio. Two beat count in before the main riff. The drum roll is on four toms, followed by 3 beat count in to the second main riff. Play all the leads.

BLITZKRIEG - by Blitzkrieg
Seven beat count in. Play the leads.

B-SIDES & ONE-OFFS '88-'91

BREADFAN - by Budgie
Eight beat count in. When the fast part ends, there's a four beat cue to the clean riff. You play all the leads and higher notes of double-guitar parts.

THE PRINCE - by Diamond Head
The count in is 1, 2, 1 2 3 4. You play all the leads and higher of the harmonized guitars.

THE PRINCE (Live) - by Diamond Head
Where the solo lasts for 7 rounds above, it lasts for 8 rounds here. There are no gaps before verses 1 and 2, and the riffing before 2nd verse is twice as long.

STONE COLD CRAZY - By Queen
Count in is 1, 2, 1 2 3 4. Play the squeak and all the parts that differ from the regular rhythm of the song.

SO WHAT - by Anti-Nowhere League
Count in is slightly peculiar: 1, 2, So, Fuckin, What 2 3. Double what you hear. This is 3-verse or live version, so after second verse the solo comes.

KILLING TIME - by Sweet Savage
No count in, directly to the drum intro. Eight bar rest before you play your first part. Play all the leads.

MOTÖRHEADACHE '95

OVERKILL - by Motörhead
No count in, directly to the drum intro. Play all the leads. Note that the drum intro in the beginning and later in the song seems to have the first bassdrum left out, so it sounds like the beat is inverted when it's not. The latter drum intro has a two-beat count in.

DAMAGE CASE - by Motörhead
Four-beat count in. Play all the leads.

STONE DEAD FOREVER - by Motörhead
Four-beat count-in. Play all the leads.

TOO LATE TOO LATE - by Motörhead
Four-beat count-in. Play all the leads.