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...AND JUSTICE FOR ALL
The KILL'EM ALL index The RIDE THE LIGHTNING index The MASTER OF PUPPETS index The ...AND JUSTICE FOR ALL index The METALLICA index The LOAD index The RELOAD index The GARAGE INC index The S&M + OTHER SHIT index The ST. ANGER index The DEATH MAGNETIC index

Download The ...AND JUSTICE FOR ALL Set

BLACKENED
Play nothing during the intro. Be ready for the four beat count in. You play higher notes on the double guitar solo.

...AND JUSTICE FOR ALL
Slow six beat count in. Play the higher parts of all harmonized guitars.

EYE OF THE BEHOLDER
Four-beat count-in. The riff doesn't fade in, but instead you play it 8 times. Play all the leads and higher voices of harmonized guitars.

ONE
Count in is 1, 2, 1 2 3 4. You play James' part during the chorus. If you don't know how it goes, listen the part where you'd play the solo after the second chorus. Before machine guns, you still play James' part. On the double guitar solo, you play the higher, Kirk's part.

THE SHORTEST STRAW
Four beat count in. On each break of the intro, there's a two beat count in before the next part.

HARVESTER OF SORROW
Three beat count in. You play higher sounds of all double guitar parts. Before third verse, there's a count in in style 1, 2, 1 2 before the power chord. Lyrically, the word "all" comes on the second "two" and the power chord is as long as the word "have" right after it. In the end, after the second "Language of the mad", "Harvester of sorrow" is shouted six times before the break, during which you play the first half of the clean riff repeatedly. For an ending, play the intro riff of the song. (See any live version of the song)

THE FRAYED ENDS OF SANITY
Four beat count in. During the double guitars part, you play the same riff throughout. Play higher sounds for the next part before the solo.

TO LIVE IS TO DIE
Begins with a drumfill that lasts for two bars. Play higher notes of the guitar parts, until it it starts playing from the track. Prepare to start chugging with crunch. Play all the solo parts and higher sounds of the double guitars. In the transition back to the original crunch theme, each hit has 2-beat count-in. When it ends, Let the higher notes of the original clean riff play through once before playing them yourself. This track pretty much ends to nothing as it's not connected to 'Dyers Eve'.

DYERS EVE
Four beat count in. After the drums fall down, wait for two hits on hihat for count-in to the main riff.